SYNTHESIS OF ART AND INTERIOR DESIGN

Olena Shvets, Dmytro Kolomiiets, Yuri Babchuk

8-16

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-01

A NEW CONCEPT OF DANCE EDUCATION: UK EXPERIENCE

Olena Vereshchahina-Biliavska, Tetiana Zuziak, Anastasia Mala

17-24

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-02

PECULIARITIES OF THE DEVELOPMENT OF THE ARTISTIC AND PERFORMING TECHNIQUE OF FUTURE MUSIC TEACHERS IN THE PROCESS OF PIANO TRAINING

Tamila Hryzohlazova

25-31

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-03

INTER-ARTISTIC POLYPHONY OF THE POETRY BOOK "BAROQUE" BY VOLODYMYR TYMCHUK:THE PROBLEM OF INTERPRETING THE LYRICAL HERO

Viktor Krupka, Alla Vinnichuk

32-37

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-04

PRINCIPLES OF FORMATION OF GENRE-STYLE COMPETENCE OF FUTURE TEACHERS OF MUSIC AND CHOREOGRAPHY

Anna Novosadova

38-44

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-05

INFLUENCE OF CONCERTMASTER'S PERFORMANCE SKILLS ON THE PROFESSIONAL TRAINING OF FUTURE MUSIC TEACHER

Iryna Sidorova, Ilona Naumenko, Diana Strebkova

45-51

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-06

DESIGN AND GRAPHIC ACTIVITIES IN THE PROFESSIONAL TRAINING OF HIGHER EDUCATION STUDENTS IN DECORATIVE ARTS USING DIGITAL TECHNOLOGIES

Svitlana Kizim, Tetiana Zuziak, Oksana Marushchak, Viktor Solovei

52-59

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-07

FORMATION OF INFORMATION AND COMMUNICATION COMPETENCE OF THE FUTURE MUSIC ART TEACHER IN THE PROCESS OF INTEGRATED LEARNING

Lyudmyla Onofriichuk, Mariia Chervonii, Nataliia Lanovenko, Olesia Gazinska

60-66

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-08

APPLICATION OF STEAM PROJECTS ON MAKING AUTHOR’S DOLLS IN THE PROFESSIONAL TRAINING OF FUTURE TECHNOLOGY TEACHERS IN HIGHER EDUCATIONAL INSTITUTIONS

Iryna Shymkova, Svitlana Tsvilyk, Volodymyr Harkushevskyi, Viktor Solovei

67-77

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-09

CONTENT AND STRUCTURE OF TIMBRE-ORCHESTRAL INTONATION SKILLS FOR BACHELOR OF MUSICAL ARTS

Yaroslav Novosadov

78-85

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-10

PRINCIPLES OF VOICE DEVELOPMENT IN THE TEACHING METHOD OF BERTRAM BEYER IN THE ACADEMIC VOCAL CLASS: A MUSIC-HISTORICAL ASPECT

Svitlana Basovska, Natalia Lanovenko, Tamara Panasyuk

86-95

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-11

PREREQUISITES FOR THE FORMATION OF CHOREOGRAPHIC EDUCATION IN VINNYTSIA REGION (LATE 19TH - EARLY 20TH CENTURIES)

Yevheniya Pakholchak

96-103

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DOI: https://doi.org/10.31652/3041-1017-2024(4)-12