METHODOLOGICAL BASIS OF SCIENTIFIC RESEARCH IN THE FIELD OF PEDAGOGICAL MUSIC EDUCATION
DOI:
https://doi.org/10.31652/3041-1017-2026(7)-22Keywords:
methodological guidelines, methodological analysis, music education, art, music pedagogical theory and practiceAbstract
This article discusses the methodological foundations that play a key role in research in the field of music education. One of the most important methodological guidelines is methodological analysis, which is considered a meta-method in the context of music pedagogy. This analysis represents a comprehensive approach to the research process, allowing for the comprehension of various aspects and processes of music pedagogy theory and practice. Methodological guidelines also highlight professionally significant functions and approaches that contribute to an understanding of the value of music education concepts, innovative processes in science and education, and the formation of research strategies. The approaches considered include various intellectual operations, among which reflection stands out as a method of creative thinking and personal rethinking of values and motives in the activity of a teacher-musician. The reasons for the disproportion in the interaction of philosophical, general scientific, specific scientific, and technological levels in music-pedagogical knowledge at the present stage of its development are identified. The role of ideals and pedagogical values in choosing a strategy for the development and improvement of music-pedagogical practice is noted. This is due to the understanding of music education pedagogy at the methodological level, which makes it possible to overcome the imbalance in the interaction between philosophical, general scientific, specific scientific, and technological levels of knowledge in music education theory and practice at the present stage of development, as well as actualizes the development of educational models, directing research activity toward issues related primarily to the search for the foundations for the development of music education content. The basis for the development of methodological guidelines in this context is knowledge from various fields of human activity, including science and art. Fundamental theoretical knowledge serves as the conceptual foundation and methodological basis of music pedagogy, which allows for the clear determination of the principles and tools of scientific research.References
Bilozerzka, H. O., Sizova, N. S., Kravtsova, N. Ye., Belinska, T. V., & Hazinska, O. V. (2024). Formation of readiness of future music teachers for artistic innovative activity. K.: Naukovyi chasopys UDU imeni Mykhaila Drahomanova. Seriia 5. Pedahohichni nauky: realii ta perspektyvy, Vypusk 97, S. 20-25 [in Ukrainian].
Kozyr, A. V. (2017). Methodological aspects of training future music teachers in the context of the requirements of modern art education. K.: Naukovyi chasopys NPU imeni M. P. Drahomanova. Seriia 14: Teoriia i metodyka mystetskoi osvity, Vyp. 22, S. 3–7 [in Ukrainian].
Oleksiuk, O. M. (2014). Methodology of scientific research in the field of art education: spiritual potential: navch. posib. K.: Kyiv. un-t im. B. Hrinchenka, 164 s. [in Ukrainian].
Rastryhina, A. M. (2015). Art pedagogy: methodological parameters of research. Kirovohrad: Naukovi zapysky [KDPU im. V. Vynnychenka]. Seriia: Pedahohichni nauky, Vyp. 143, S. 3-7 [in Ukrainian].
Rostovskyi, O. Ya. (2011). Theory and methods of music education: navch.-metod. posib. Ternopil: Navchalna knyha - Bohdan, 640 s. [in Ukrainian].
Cherkasov, V. V. (2016). Methodological guidelines for researching the problems of musical and aesthetic education of youth. K.: Mystetska osvita: zmist, tekhnolohii, menedzhment, Vyp. 11, S. 40-56 [in Ukrainian].
Shcholokova, O. P. (2017). Methodological analysis as a means of professional training of the future teacher of art disciplines. K.: Mystetska osvita v konteksti hlobalizatsii ta yevrointehratsii, NPU im. M. P. Drahomanova, S. 45-49 [in Ukrainian].
Dobrovolska, R., Mosendz, O., Symonenko, R., Manaylo-Prykhodko, V., & Zaitsev, V. (2023). Digitalization of the educational process in the field of culture and art: Challenges and prospects. Journal of Curriculum and Teaching, 12(5), P. 82–95. [in English].
Elliott, D. J., & Silverman, M. (2015). Praxial Music Education: Reflections and Dialogues. New York: Oxford University Press, 648 p. [in English].
Muzyka, O., Lopatiuk, Y., Belinska, T., Belozerskaya, A., & Shvets, I. (2024). Art education in the context of the modern educational process. Uzhhorod: Scientific Herald of Uzhhorod University. Series Physics, (55), P. 1414-1420. [in English].
Reimer, B. (2003). A Philosophy of Music Education: Advancing the Vision. 3rd ed. Upper Saddle River, NJ: Prentice Hall, 336 p. [in English].
Sizova, N., Belinska, T., Bilozerska, A., Vasylevska-Skupa, L., & Zuziak, T. (2024). An integration model of professional training of a music art teacher by means of innovative technologies. Amazonia Investiga, Vol. 13, № 75, P. 903-934. [in English].
Sizova, N., Bilozerska, H., Mudra, S., Patyk, R., & Bokhonko, Y. (2024). Stimulation of students' research activity in the conditions of distance education. Journal of Education and Learning, 18(3), P. 991-1000. [in English].
Downloads
Published
Issue
Section
License
You are free to:
Share — copy and redistribute the material in any medium or format for any purpose, even commercially.
Adapt — remix, transform, and build upon the material for any purpose, even commercially.
The licensor cannot revoke these freedoms as long as you follow the license terms.
Under the following terms:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices:
You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.