FEATURES OF SERGEY BORTKEVYCH'S COMPOSITIONAL STYLE: SYNTHESIS OF NATIONAL AND EUROPEAN TRADITIONS

Authors

  • Yuliia Moskvichova Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University, Vinnytsia, Ukraine

DOI:

https://doi.org/10.31652/3041-1017-2026(7)-6

Keywords:

S. Bortkevych, piano cycles, composer's style, piano performance, musical language

Abstract

The article attempts to define the peculiarities of the compositional style of Serhiy Bortkevych, a prominent representative of the Ukrainian diaspora’s musical culture. Some aspects of the artist's biography, his creative activity in Ukraine and abroad are analyzed. The composer’s piano style, which was influenced by cultures with different stylistic and national backgrounds, is described. The conditions of the composer’s creative personality formation and development are discussed. Particular attention is paid to the fact that the formation of S. Bortkevych's individual compositional style took place in the cultural and artistic environments of different countries. It is emphasized that the artist combines in his work the best artistic elements of the musical language of Western European and Ukrainian cultures. It is noted that in S. Bortkevych’s compositional work there are signs of being influenced by trends typical for musical art of the early twentieth century, namely impressionism, neoclassicism, and neo-romanticism. The presence of well-defined motifs in most of his works demonstrates his loyalty to the Romantic traditions. The combination of the Romantic basis and modernist ideas in the composer’s music was caused by the formation of a new artistic thinking and worldview. The article addresses the performance peculiarities of some of S. Bortkevych's works that are based on immersion into the thematic and figurative basis of the composition. The use of diverse piano techniques, which recreate the tone and emotional mood of the compositions, is analyzed. Among the distinctive features are the prevalence of minor keys and the sequential unfolding of the music, which is considered to be one of the folk song features. The texture of the compositions is very diverse: polyphony, figurations, unison unfolding of voices, the use of chords, etc. The thematic diversity, expressiveness and sincerity of the musical style, and unique reinterpretation of national origins show that the composer's piano works acquired a new meaning and resonated with the European trends of his time. S. Bortkevych's reliance on folk motifs proves the authenticity and uniqueness of the composer's musical style, which connects the artist with Ukrainian musical culture. S. Bortkevych's music goes beyond one national and stylistic school or one culture; it is an original example of the composer's own musical world as a result of the synthesis of national and European traditions..

References

Hunder L., Fabryka-Protska O. (2024). The creative portrait of Serhiy Bortkevych as an example of preserving the features of the identity of Ukrainian musical culture in a foreign land. Aktualni pytannia humanitarnykh nauk. 74, 1, 92–98. DOI https://doi.org/10.24919/2308-4863/74-1-12 [in Ukrainian].

Dzhumurat S. (2023). A review of Serhiy Bortkevych's work on the example of the piano cycle Crimean Essays, Op. 8. Lviv, 17–22. URL: https://lnma.edu.ua/wp-content/uploads/2019/01/ [in Ukrainian].

Levkulych, Ye. (2021). Serhii Bortkevych piano heritage in the current space of performing arts of the 20th – beginning of the 21st century. : dys.... dok. filosofii: 025 «Muzychne mystetstvo» ].. Kyiv, 367 s. URL: https://knmau.com.ua/wp-content/uploads/levkulych-dysertatsiya.pdf [in Ukrainian].

Levkulych, Ye. (2016). The issue of national-stylistic identification of Serhii Bortkevych work. Kyivske muzykoznavstvo: 54. 32–42. URL:http://nbuv.gov.ua/UJRN/kmuz_2016_54_7 [in Ukrainian].

Liebiedieva K. (2008). Serhiy Bortkevych. Unknown pages of life and work in the 20s and 30s of the twentieth century. Naukovyi visnyk NMAU imeni P.I. Chaikovskoho: 67, 277-285. [in Ukrainian].

Molchko U. (2022). Piano composition "Ballad" op. 42 by Sergei Bortkevich: the performance aspect. Aktualni pytannia humanitarnykh nauk: 48, 2, 4-10. DOI https://doi.org/10.24919/2308-4863/48-2-1 [in Ukrainian].

Moskvichova Y.O. (2024). The genre of piano miniature in the works of S. Bortkevych. Tvorchyi universalizm u kulturi, mystetstvi, osviti: identyfikatsiinyi, komunikatsiinyi, synerhetychnyi vymiry: zbirnyk naukovykh prats (za materialamy Mizhnarodnoi naukovo-praktychnoi internet-konferentsii): elektronne vydannia. Navchalno-naukovyi instytut mystetstv Prykarpatskoho natsionalnoho universytetu imeni Vasylia Stefanyka». Ivano-Frankivsk: <https://art.cnu.edu.ua/wp-content/uploads/sites/9/2025/02/zbirnyk-naukovykh-prats-1.pdf [in Ukrainian]

Moskvichova Y. (2025). Piano cycles in the works of S. Bortkevich. Ukrainske mystetstvo u svitovomu kulturnomu prostori: istoriia, suchasnist ta perspektyvy rozvytku, 20-22. DOI https://doi.org/10.31652/978-617-UAWCS-2025.05 [in Ukrainian]

Muzyka, L. (2023). Piano pieces for children in the works of S. Bortkevych. Muzychne mystetstvo v osvitolohichnomu dyskursi, (8), 67-72 https://doi.org/10.28925/2518-766X.2023.810 [in Ukrainian].

Cherednychenko, O. (2008). Fortepianna tvorchist Serhiia Bortkevycha v svitli klasyko-romantychnoi tradytsii: dys. ... kand. mystetstvoznavstva : 17.00.03 [The Piano Works by S. Bortkevych in the Classical-Romantic Tradition].. Kharkiv, 260 s. [in Ukrainian].

Cherednychenko O. (2008). A piano piece in the works of Serhiy Bortkevych. Kyivske muzykoznavstvo: 27, 222-230 [in Ukrainian].

Yakubov, T. (2021). Serhiy Bortkevich and his violin work: source studies and genre-stylistic aspects: dys. ... dok. filosofii: spets. 025 «Muzychne mystetstvo». Kyiv. 430 s. URL: https://knmau.com.ua/wp-content/uploads/yakubov-dysertatsiya.pdf [in Ukrainian].

Johnson, J.A. (2016). Echoes of the past: stylistic and compositional influences inthe musicof SergeiBortkiewicz. (DMAdiss.). University of Nebraska. Lincoln, Nebraska.

Published

2026-02-23

Issue

Section

Articles

How to Cite

FEATURES OF SERGEY BORTKEVYCH’S COMPOSITIONAL STYLE: SYNTHESIS OF NATIONAL AND EUROPEAN TRADITIONS. (2026). Art in Contemporary Culture: Theory and Practice of Teaching, 7, 57-64. https://doi.org/10.31652/3041-1017-2026(7)-6